Cutting comments

Lisa Immordino Vreeland on Katharine Hepburn, Coco Chanel and Cecil Beaton

by Anne-Katrin Titze

‪Lisa Immordino Vreeland‬ presented ‪Love, Cecil‬ at Sotheby's in New York
‪Lisa Immordino Vreeland‬ presented ‪Love, Cecil‬ at Sotheby's in New York Photo: Anne-Katrin Titze

On a stormy spring Saturday night, Art Agency, Partners and Zeitgeist Films in association with Kino Lorber hosted a reception and preview screening of Love, Cecil at Sotheby's in New York.

Lisa Immordino Vreeland, the director of Peggy Guggenheim: Art Addict and Diana Vreeland: The Eye Has To Travel, presented her documentary on Cecil Beaton (Best Costumes Oscar for George Cukor's My Fair Lady and a Tony, presented by Julie Andrews, for Coco, starring Katharine Hepburn as Coco Chanel) narrated by Rupert Everett and edited by Bernadine Colish (Absolute Wilson).

Katharine Hepburn: Dressed for Stage and Screen at the New York Public Library for the Performing Arts - Coco on Broadway, costumes by Cecil Beaton
Katharine Hepburn: Dressed for Stage and Screen at the New York Public Library for the Performing Arts - Coco on Broadway, costumes by Cecil Beaton Photo: Anne-Katrin Titze

Through on-camera interviews with David Hockney, Leslie Caron, Isaac Mizrahi, Hamish Bowles, Manolo Blahnik, David Bailey and Penelope Tree, and terrific archival footage, including an exchange between Truman Capote and Diana Vreeland on their take on Cecil Beaton, we learn a great deal about the photographer, costume and set designer and his complicated personal life, including Greta Garbo.

Cecil Beaton had contentious relationships with a number of people, among them, George Cukor and Katharine Hepburn.

Following the screening on the evening of Katharine Hepburn's birthdate, I asked Lisa Immordino Vreeland about the timing of the very cutting remarks we hear in Love, Cecil from Cecil Beaton about the star of Coco.

Anne-Katrin Titze: Today [May 12] happens to be Katharine Hepburn's 111th birthday. Cecil Beaton had some harsh words about her. Calling her a "freckled", "heartless", "dried-out boot." When did he say that? Was that before their collaboration on Coco or after?

Lisa Immordino Vreeland: I actually think that was before Coco. I'm going to be honest, I don't quite remember. But I can tell you one thing about Coco. When she decided to be on it … She wasn't that good on it, let's be honest. She wasn't. There's only one Coco Chanel.

She had a special request in her contract that any photo he took she had to approve. So he must have said it all before. She had really had it out with him already. And in anything that he designed costume-wise she had changes. So she was just pushing him to the limit. So I do think he said all those things before.

Love, Cecil opens in the US on June 29.

Share this with others on...
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

More news and features

We're bringing you all the latest news and reviews from the London Film Festival and Newfest.



We're looking forward to the Belfast Film Festival, Halloween Frightfest, the Cheltenham International Film Festival and the Leeds International Film Festival.



We've recently brought you coverage of the New York Film Festival, Grimmfest, Beyond Fest, the San Sebastian International Film Festival, Fantastic Fest, the Toronto International Film Festival and the Venice Film Festival.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon, Instagram and Bluesky.


It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film