Five films to sink your teeth into at Frightfest
by Jennie Kermode
A Good Woman Is Hard To Find, Satanic Panic, Harpoon, The Sonata and Come To Daddy
Beyond the garden
by Jennie Kermode
Flavio Alves on telling authentic stories, representing violence, and The Garden Left Behind
Inside the story
by Anne-Katrin Titze
Valerio Mastandrea on working with Abel Ferrara, Valeria Golino, Silvio Soldini and Marco Bellocchio
Cultivating a story
by Jennie Kermode
Flavio Alves on the lives of trans women and undocumented immigrants, and The Garden Left Behind
Mocky - Final exit for France’s restless free spirit
by Richard Mowe
Director and actor dies, aged 90
Connecting two worlds
by Anne-Katrin Titze
Bart Freundlich on Michelle Williams' character, Billy Crudup's hair, and After The Wedding
Barbara Kopple honours DA Pennebaker
by Anne-Katrin Titze and Barbara Kopple
"I lost someone irreplaceable in my life"
Andrew Rossi remembers DA Pennebaker
by Anne-Katrin Titze and Andrew Rossi
"How does a person get so close to these raw emotional moments?"
Storytelling childhood
by Anne-Katrin Titze
Anna Pniowsky on Casey Affleck, storytelling, the script and the haircut for Light Of My Life
Thinking big
by Jennie Kermode
Zach Lipovsky and Adam B Stein on Freaks, Bruce Dern and telling big stories with small budgets
Right on track
by Jennie Kermode
Adam Sherman on Japanese bondage, fashion, murder and She's Just A Shadow
In the picture
by Amber Wilkinson
Ritesh Batra on Photograph and shooting in Mumbai
A dangerous lesson
by Jennie Kermode
David Dastmalchian on Teacher, bullying and going to dark places
A tale of the unexpected
by Jennie Kermode
Zach Lipovsky and Adam B Stein on keeping viewers guessing, working with children, and Freaks
Threshold of the screen
by Anne-Katrin Titze
Rick Alverson on Denis Lavant's threshold move, Disney, and music in The Mountain
Different for girls
by Jennie Kermode
Jennifer Reeder on teenage lives, adult epiphanies, #MeToo and Knives And Skin
Life in a war zone
by Amber Wilkinson
Waad al-Kateab and Edward Watts discuss For Sama
Authentic and free
by Anne-Katrin Titze
Valerio Mastandrea on an actor becoming a director for Laughing
A son's journey
by Jane Fae
Iain Cunningham on searching for his mother and making Irene's Ghost
Making a discovery
by Anne-Katrin Titze
Michela Occhipinti on Cristiano Travaglioli, body image, Flesh Out and Ring Of Fire
Marked contradictions
by Anne-Katrin Titze
Claudio Giovannesi on Olivia Bellini, the screenplay, Piranhas and Giorgio Armani
A woman's story
by Jennie Kermode
Pollyanna McIntosh on Darlin’ and the wildness in all of us
Five to look forward to at Fantasia
by Jennie Kermode
Our pick of what's coming up in Montreal
Constructing the Sentence
by Amber Wilkinson
John Hawkes and Elfar Adalsteins on motivation and midges in their road trip drama
A familiar face
by Jennie Kermode
Perry Blackshear on male friendship, mental illness and They Look Like People
Giving meaning
by Anne-Katrin Titze
Catherine Cusset on Life Of David Hockney, A Bigger Splash and Non-Fiction
Affleck’s world without women
by Richard Mowe
Second outing for actor as director in Karlovy Vary
Dark and light shades of Julianne Moore
by Richard Mowe
Karlovy Vary star guest reveals the secrets of life-work balance
Moving in time
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Oprah Winfrey, Fran Lebowitz and Toni Morrison: The Pieces I Am
On the right track
by Anne-Katrin Titze
Jack Hazan on David Hockney, Last Tango In Paris, Michelangelo Antonioni and A Bigger Splash
Naming the unknown phenomena
by Anne-Katrin Titze
Antonin Baudry on Bertrand Tavernier and Quai d'Orsay, Reda Kateb, Paula Beer and The Wolf's Call
Condensing language
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Toni Morrison: The Pieces I Am, Lou Reed and what's in a gaze
Orbital dynamics
by Jennie Kermode
Shelagh McLeod on working with Richard Dreyfuss, space, nursing homes and Astronaut
Zeffirelli - cinema’s master of opulence
by Richard Mowe
Cultural icon dies at 96
10 films to catch at Edinburgh Film Festival
by Amber Wilkinson and Jennie Kermode
We pick some of our favourites from this year's line-up
Laughing and crying
by Anne-Katrin Titze
Laughing director Valerio Mastandrea and Chiara Martegiani on crying on cue
Picking up signals
by Anne-Katrin Titze
Antonin Baudry on Claude Lanzmann, Das Boot and The Wolf's Call
All at sea
by Jennie Kermode
Eight documentaries to watch for World Oceans Day
Living the story
by Anne-Katrin Titze
Claude Lelouch on working with Anouk Aimée and Jean-Louis Trintignant and not knowing the end
Following a family's flight
by Amber Wilkinson
Emelie Mahdavian and Su Kim talk about the challenges of editing and producing Midnight Traveler
Unlocking the narrative
by Anne-Katrin Titze
Frédéric Tcheng on his director's cut of Halston, Charles James, and Truman Capote's Black and White Ball
20 years for 17 Blocks
by Amber Wilkinson
Davy Rothbart talks about the long journey for his family-focused doc
Watching humans
by Anne-Katrin Titze
Andrey Paounov on Christo's eyelashes, a Barbour jacket, raw eggs and Brexit in Walking On Water
Beyond the limits
by Jennie Kermode
Drew Barnhardt on marrying art and exploitation in Rondo
The tale of Tigers
by Amber Wilkinson
Denis Tanovic on his film about the Pakistan baby milk scandal
Sculpting a film
by Anne-Katrin Titze
Andrey Paounov on Christo and Walking On Water
One man movie machine
by Jennie Kermode
Dustin Ferguson on the art of making films fast
Spellbinding
by Anne-Katrin Titze
Frédéric Tcheng on Liza Minnelli, Elsa Peretti, Tavi Gevinson and the Battle of Versailles in Halston
Stallone starts a stampede in Cannes
by Richard Mowe
Rambo and Rocky star on stories, politics, physique and optimism
The performers
by Jennie Kermode
Jamie Patterson on working with Derren Nesbitt, Steve Oram and Jordan Stephens on Tucked
News

The mongoose and the snake Adam J Graves on bringing a hidden side of Delhi to the screen in Anuja

Pushing boundaries Torill Kove on family relationships, different worlds and Maybe Elephants

The star from the streets Adam J Graves on Salaam Balaak, Sajda Pathan and making Anuja

A little lightness Colman Mac Cionnaith and Michael Whelan on Room Taken

A hair's breadth from happiness Nicolas Keppens on low budget, high quality animation and Beautiful Men

French cinema hits the high notes Rendez-vous opens in Paris with a boost at the box office

More news and features

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Towards the end of 2024, we covered DOC NYC, the French Film Festival UK, Tallinn Black Nights, the Leeds International Film Festival, Abertoir, the London Korean Film Festival, the Belfast Film Festival and Halloween Frightfest.



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