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by Amber Wilkinson
by Richard Mowe
by Jennie Kermode
by Jennie Kermode
by Anne-Katrin Titze
by Andrew Robertson and Jennie Kermode
by Paul Risker
by Amber Wilkinson
by Amber Wilkinson
by Amber Wilkinson
by Amber Wilkinson
by Anne-Katrin Titze
by Amber Wilkinson
by Anne-Katrin Titze
by Amber Wilkinson
by Stephen Dalton
by Anne-Katrin Titze
by Anne-Katrin Titze
by Jennie Kermode
by Jennie Kermode
by Anne-Katrin Titze
by Jennie Kermode
by Anne-Katrin Titze
by Amber Wilkinson
by Amber Wilkinson
by Jennie Kermode
by Anne-Katrin Titze
by Anne-Katrin Titze
by Anne-Katrin Titze
by Anne-Katrin Titze
by Amber Wilkinson
by Jennie Kermode
by Amber Wilkinson
by Jennie Kermode
A collection of moments Mickey Keating on the metaphor and technique behind Invader
Family ties and trauma Laurynas Bareisa on relationship dynamics in award-winning drama Drowning Dry
Looking back RaMell Ross on basketball, filmmaking, overcoming objectification and Nickel Boys
In dialogue with time Bookworm director Ant Timpson on the changing landscape of cinema
Shaping the cut Valerie Krulfeifer and Mickey Keating on their unreleasable past work and Invader
Peering into the heart of darkness Jeremy Strong on playing Roy Cohn in The Apprentice
The show must go on Nina Gantz on exploring grief with humour in Wander To Wonder
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Towards the end of 2024, we covered DOC NYC, the French Film Festival UK, Tallinn Black Nights, the Leeds International Film Festival, Abertoir, the London Korean Film Festival, the Belfast Film Festival and Halloween Frightfest.
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