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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
2017
Miller is outstanding.
As so often in giallo, the gore is where the director's style really comes into its own.
One of the most startlingly erotic mass market films of its era.
Importantly, the director approaches the fantastic elements of the story with complete conviction throughout, making it easier for the viewer to accept them and focus on the action.
The proportion of films opening with HP Lovecraft quotes that manage to live up to the visionary writer's work verges on the infinitesimal, but The Endless is one of the special ones.
Bava's trademark brilliant framing and his playful relationship with modernism maximise the visual appeal of every scene.
It's astoundingly beautiful, with the costumes, set decoration and cinematography all sumptuous.
Richard Kendrick's cinematography is gorgeous and O'Malley is unafraid to let his camera linger, drawing out the atmosphere in scenes lesser directors might have rushed.
With its combination of rather sweet teenage angst and extremely gory action scenes, the film serves its natural audience well but is unlikely to reach far beyond that.
This is an enjoyable creature-feature, a special-effects showcase on a small budget.
Undulating bodies and splattering blood stand in for more explicit imagery and give the impression of spectacular excess.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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