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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Festival coverage
2007
What is known as Scotland's International Horror Film Festival (posh title for superior nasties) opens at Edinburgh's Filmhouse on April 26 for three days of blood letting and supernatural monstrousness. The originator and queen of the dark, Adele Hartley (adele@deadbydawn.co.uk), is once more in charge of your sleepless nights and fearful days.
The world premiere of Southern Gothic, with writer/director Mark Young in attendance - he's the gentleman at the back with a pallid complexion and unusual teeth - will open the first vein. UK premieres of Mulberry Street, Shutter, Gruesome (called Salvage in the States - imagine Groundhog Day and getting murdered over and over), The Hamiltons from San Francisco, The Abandoned from Spain, the impressive End Of The Line from Quebec, La Hora Fria (The Dark Hour) from Spain and Flight Of The Living Dead (zombies, not snakes, on a plane) with writer/director Scott Thomas on hand for a Q&A - if his parachute opens.
There is an all night screamfest and other chilling treats for scareophiles and gore junkies, with guest of honour Alex de la Iglesia (Day Of The Beast, Perdita Durango, Accion Mutante) from Spain presiding over the (blood) red carpet. "I wouldn't want the kind of movies I do to become trendy," he is reported to have uttered. "I've always hated trends and I would feel quite uncomfortable creating one." Perhaps it will happen in Edinburgh, between the full moon and the Day of Judgment.
For all that the Hitcher is an ambiguous horror film it is also a spectacular piece of Eighties action cinema.
The latest in the line of hairy hauntings, Shutter, for the most part conforms to expectations, although it has a pay off which lifts it above the pack.
The important thing is, thanks to a smart and involving script, we care about whether they make it until morning.
You know you can’t be certain of anything. And that’s disturbing.
The horror/vampire elements fundamentally feel like something of an afterthought.
This has everything you could want from a film set in the air. Except originality.
It is as though all the moral ambiguity and mean-spiritedness of 1970s cinema had never died.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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