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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
2022
This isn’t a plea for people to swap one source of authority for another. The focus is on encouraging us to think for ourselves.
While all of the statistics - and Eiselt and Lee ensure they keep on coming - are brutal, the positive energy of activism is at the heart of this documentary.
The intimacies are staggering.
By shining a light on the past, Lifshitz lights a beacon for people who feel outcast in today's world.
The force of nature comes to stunning, searing life thanks to the Kraffts' footage, whether it is rivers of magma or gouts of smoke, with the film gradually building the case that they knew exactly the impact of what they were committing to camera would be.
MacKenzie scores her film with traditional highland melodies, but often there is nothing to be heard beyond nature’s soundscape, wind over water and through trees.
There’s a rare intimacy about it.
Dragomirovic’s minimalistic setting captures the separation and struggle of Stevan and his loved ones.
Lawrence knows his film’s real strength lies in simply putting the man and his relatives fully back into the heart of this equation.
An important film.
In this kaleidoscope life, montage becomes an essential tool, illustrating not only the artist’s own work but his many influences, along with the immediate context in which he was living.
And so we get a very engaging, often suspenseful movie in Navalny, a record of the dangers that come with pissing off an authoritarian regime.
The directors also capture the day of the inoculations, which is likely to serve a secondary purpose to jab-hesitant viewers, since it shows people receiving the vaccine in minutes with no ill-effects.
In piecing the whole thing together, Kontakos appears to have been spoiled for choices, but she delivers a strong narrative which never gets overwhelmed by its content.
While Pettengill is fascinated by the archival content, she’s also not afraid to experiment with form, including digital distortions that identify the movie as a product of the present.
What is clear is the genuine affection held for its subjects, but that makes some elements of it all the more galling.
In addition to attacks from the outside, Shukla shows the erosion from within.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
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Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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