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Glasgow Short Film Festival · 2017

Glasgow Short Film Festival 2017

Scottish Competition 3: Privilege

Programme

7 films · 2 reviews

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Alexithymia

What's it like to feel no emotion? A young filmmaker questions his growing inability to connect to his emotions by talking to a stranger online who can’t feel any. This stranger has alexithymia, which is a condition most simply described as ‘emotional blindness’, the inability to identify and describe emotions in the self.

(Country: UK; Year: 2017; Director: Duncan Cowles)

Borderline

Review preview for Borderline

Here, the physical intensity of dance does a lot of the heavy lifting, showing the turbulence of life with this condition, the strength required to manage it, and the strain that creates.

Jennie Kermode · 4 out of 5
Lynn Shaw is a dancer from Aberdeen. Charismatic, but sometimes chaotic. After a long history of turbulent life events she was diagnosed with borderline personality disorder.

(Country: UK; Year: 2016; Director: Lindsay Goodall; Stars: Lynn Shaw, Vince Virr)

Flow Country

Review preview for Flow Country

Shot on monochrome 16mm, the land itself is evoked by compelling sound work, by artifacts of processing and the shooting itself.

Andrew Robertson · 4 out of 5
Flow Country takes the viewer on an apocalyptic journey through a contested site in the far north of Scotland.

(Country: UK, Netherlands; Year: 2017; Director: Jasper Coppes)

Life Cycles

An observational exploration of routine, monotony, attention and distraction. Will we continue to let events pass us by uncontested, or will we decide to break the cycle?

(Country: UK; Year: 2016; Director: Ross Hogg)

The Northleach Horror

A short First World War/sci-fi/horror/comedy film following the exploits of deranged scientist Whitsuntide.

(Country: UK; Year: 2016; Director: David Cairns) , Official site

Record/Record

A film about memory, record and reality.

(Country: UK; Year: 2016; Director: Robert Duncan) , Trailer

Rolls And Shutters

The video takes as its starting point the photographic archives of the Thistle Foundation and Craigmillar Festival Society. Rather than examining the known facts and details of the photographs held in the archives, the narrator uses them to recall her own memories of making photographs as a teenager.

(Country: UK; Year: 2016; Director: Stina Wirfelt)