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Festival coverage

New Directors/New Films

28 March – 8 April 2018

The 47th edition of the New York festival celebrating new cinematic voices will run from March 28 to April 8. This year it will open and close with two documentaries - Matangi/Maya/M.I.A., directed by Stephen Loveridge and RaMell Ross' Hale County This Morning, This Evening. In addition to the feature line-up there are two programmes of shorts.

View complete schedule

Other years (14)

Box office and information

Latest reviews

  • Those Who Are Fine
    Review preview for Those Who Are Fine

    Taut, tense, perhaps less constructed than engineered.

    Andrew Robertson · 4 out of 5
    A call centre worker begins to work a scam on the elderly.
  • An Elephant Sitting Still
    Review preview for An Elephant Sitting Still

    Despite its grey, flat light and general melancholy punctured by menace, An Elephant Sitting Still is, by the end considerably more optimistic than it first appears about humanity.

    Amber Wilkinson · 4 out of 5
    The lives of four people cross over the course of a day in China.
  • Hale County This Morning, This Evening
    Review preview for Hale County This Morning, This Evening

    By looking at what would lie outside of the traditional framework of most documentaries, Ross builds a much more absorbing picture of people fully embedded within an environment.

    Amber Wilkinson · 4 out of 5
    An exploration of coming-of-age in the Black Belt of the American South.
  • The Guilty
    Review preview for The Guilty

    Well-written dialogue, strong acting all round and unobtrusive but taut direction give it real strength.

    Jennie Kermode · 4 out of 5
    After he takes a call from a woman in a desperate situation, an emergency operator feels unable to let go.
  • Ava
    Review preview for Ava

    Beautifully observed, Sadaf Foroughi's feature début explores the way that, even in societies explicitly controlled by men, it's often women who enforce social rules and seek to control one another's behaviour.

    Jennie Kermode · 4.5 out of 5
    A youngster in Iran begins to rebel.
  • Milla
    Review preview for Milla

    Jonckeere is ebullient in the lead yet there's a subtlety to her performance that communicates Milla's gradual passage from a life driven by instinct to one where she must take responsibility not only for herself but for her son.

    Jennie Kermode · 3.5 out of 5
    Meditation on young motherhood and the vagaries of growing up.
  • Matangi/Maya/M.I.A.
    Review preview for Matangi/Maya/M.I.A.

    Whatever else she may be, Maya clearly has no tolerance for bullshit - she seems constitutionally incapable of playing the game.

    Jennie Kermode · 4.5 out of 5
    Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
  • Winter Brothers
    Review preview for Winter Brothers

    Palmason accentuates the tedium by holding almost every shot far longer than necessary or shooting scenes in pitch black mines or against stark landscapes white with lime dust.

    Rory Ford · 2 out of 5
    Two brothers embark on a violent feud with another family.
  • Until The Birds Return
    Review preview for Until The Birds Return

    Like so many anthology films, it suffers from the fact that the sections are uneven, with the middle segment soaring high above the two bookend stories.

    Amber Wilkinson · 3 out of 5
    Algeria today. Past and present collide in the lives of a newly wealthy property developer, a young woman torn between the path of reason and sentiment and a neurologist whose past catches up with him.
  • 3/4
    Review preview for 3/4

    Scenes don't run fully to their end or don't quite start at the beginning, the drama often whisked somewhere else as we're about to reach what more mainstream films would consider the small moments of climax.

    Amber Wilkinson · 3.5 out of 5
    The lives of a father and his two children.

A–Z of New Directors/New Films 2018 reviews

Features

  • The myth and the dream
    RaMell Ross on Hale County This Morning, This Evening and the influence of Apichatpong Weerasethakul
  • Creating Closeness
    Director Kantemir Balagov on framing and reality in his Russian drama