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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
2023
Director Philip Barantini was responsible for 2020’s kitchen-set drama Boiling Point, and here he demonstrates the same mastery of tension.
In the end it’s the boldness of its choices which really makes the difference.
Smarter than most films of its ilk and refreshingly free of misplaced sentiment.
Young Lister is a marvel, showing a remarkably sophisticated understanding of what her role requires as Lila, having suffered significant brain damage, gradually begins to require verbal and motor skills.
Viewers can expect to find their sympathies shifting over time, and to disagree as to who deserves sympathy in any given moment.
Cerezo and Gómez remind us that we are living through some of the strangest days our world has known right now.
Evil Dead Rise doesn’t add much that’s new to the franchise, but it does deliver on entertainment.
While it's a road well-travelled, here it's a road travelled well.
Give Me An A is a vital piece of filmmaking.
Alongside the extreme and dramatic aspects of this story are all sorts of insidious little details which show the harm done by this kind of thinking in day to day life.
A superior quality horror film which amply justifies the hype it has attracted on the festival circuit, It Lives Inside is not to be missed.
It’s Dastmalchian’s light touch which really makes it work.
If you haven’t knowingly observed a narcissist before, this may well make for fascinating and, indeed, cautionary viewing.
Vesely’s camera directs our attention very effectively and makes use of every aspect of the small set.
What is so disarming about Jarmusch's Only Lovers Left Alive is a scarce sense of appreciation - of the vampire couple for each other and the appreciation by both of them for what is great in the world.
Though Hoult is as oddly charming as his abilities allow, Nicholas goes as close to the Full Cage as I've seen in a while.
There is a complete disregard for any kind of consequence or continuity in this film, and you know that the rug could be pulled from under you at any second.
The Tingler is a film that doesn't have much story and that takes so many narrative short cuts it is impossible to treat it with any seriousness, but it retains the potential to be serious fun.
Thorough and insightful, Penta’s film benefits from fantastic editing (his own) and from a self-consciousness about the viewer’s gaze which aptly reflects the genre it’s exploring.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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