Mind over chatter

Measuring brain waves offers a better way to assess films.

by Jennie Kermode

Have you ever been part of a test screening audience? If so, and if you've chatted to other audience members aftewards, you'll know that what people write down on their response forms often has little to do with their evolving opinions and the word of mouth - good or bad - that they'll go on to give. Test screenings are notoriously unreliable. They continue to be used largely because the industry doesn't have a good alternative. But that may be about to change.

"By looking at patterns of oscillation we could tell at which moments a person was particularly engaged. Additionally, we could see whether the correlation occurred across subjects and repeated viewings," says Dr Lucas C Parra, a Professor of Biomedical Engineering in New York. He's talking about the patterns of brainwaves that correspond to a viewing experience. Parra and his colleagues played clips from The Good, The Bad And The Ugly and Hitchcock's Bang! You're Dead at the same time as using EEG technology to monitor the pattern of electrical activity flowing across subjects' scalps. It's a simple method that's a lot more comfortable for the subject than it might sound, and it meant they could watch in real time as brainwaves shifted depending on what was happening in the films.

Using this method, Parra claims, it's possible to identify moments when film viewers are paying particular attention, as well as registering the strength of their interest. This is something that it would be impossible for their subjects to fake in order to try and impress others by, say, seeming coolly detached. It could enable producers to get a direct, easily quantifiable impression of how interesting a film was.

Of course, its immediate attention-grabbing power is not the only thing that can make a film appealing and it's possible that slower, more thoughtful films might not score highly using this method. But for action blockbusters, horror chillers and psychological thrillers, it could be just the ticket.

Share this with others on...
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

More news and features

We're bringing you all the latest news and reviews from the London Film Festival and Newfest.



We're looking forward to the Belfast Film Festival, Halloween Frightfest, the Cheltenham International Film Festival and the Leeds International Film Festival.



We've recently brought you coverage of the New York Film Festival, Grimmfest, Beyond Fest, the San Sebastian International Film Festival, Fantastic Fest, the Toronto International Film Festival and the Venice Film Festival.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon, Instagram and Bluesky.


It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film