Pray For Peace, Train For War

History, once characterised by its harsh and painful aspects, can eventually transform into the subject of humour and a wellspring of creative inspiration for artists. War is no exception. In Pray For Peace, Train For War Polish director Agnieszka Elbanowska creates a funny and satirical world that resembles war.

The plot revolves around Tytus, (Michał Sikorski) a young man who becomes a member of the local paramilitary group established by his father (Juliusz Chrzastowski). It is within this group that he crosses paths with Natalia (Kinga Jasik), a notably stronger and more experienced young woman. Tytus' dad is obsessed with the Second World War and endeavors to provide young people with an experience akin to the conflict era. Throughout the film, the director pokes fun not only at the military camp but also at the idea of warfare itself.

The narative is full of humour and punchlines from the start, which shape the direction of the story. The editor, Ireneusz Grzyb, makes the comical parts even funnier by quickly switching between shots, while the romantic scenes are made more charming with slow-motion effects.

Pray For Peace, Train For War is a teenage comedy that perfectly captures the spirit of adolescence. The visuals also mirror the teenage vibe, being unrestrained, lively and, at times, a tad clumsy. Cinematographer Adam Palenta employs a mix of close-up shots to convey the teens' expressions and emotions, along with expansive panoramic views and Western-style visuals, such as a silhouette of a man with a cigarette at night.

From the moment Tytus and Natalia meet, it's evident that the director is also laughing at the concept of traditional masculinity. The central character doesn't conform to the usual standards of being "manly" and the story paints an unconventional picture of a romantic relationship in a setting that's both toxic and satirical, challenging societal norms and standards.

A peculiar group of naked women emerging in the woods adds an intriguing layer, functioning as a metaphor for contemporary sirens. However, it's a bit perplexing in one aspect. With ample nudity, the director seems to be attempting to normalise the female body and elevate it to a higher status. Yet, this approach leaves the viewer with a somewhat odd and superficial impression.

The enigmatic rituals conducted by the forest girls to alleviate Tytus' sorrow come across as both comical and unsettling, reminiscent of a scene in Ari Aster's Midsommar, where women's actions are linked to trauma release. However, in Midsommar, the concept carries a deeper and more suitable resonance, whereas in Pray For Peace, Train For War, it has an awkward and unpolished quality.

The director's intention to mock battles and patriarchy, exposing their absurd and comedic elements, is achieved. It's true that certain parts of the film lack a professional touch, but the effort to bring laughter and challenge established perspectives is commendable.