Search: Starring Alan Cumming

Enjoyable and witty, all the more impressive when you discover that it took only 19 days to shoot.

Laugh out loud funny and heartbreaking without resorting to neat Hollywood set-ups or resolutions.

Everything feels alive and the production design by Judy Becker is impeccable.

Offers a wealth of engaging detail

Less the free-form, jazzy ensemble satire on the art world it aspires to be than an over-elaborate and under-funny undertaking by high quality actors who should know better.

Where Goldeneye stands out is when it challenges the typical Bondian blueprint.

Jackboots On Whitehall isn't afraid of stomping on a few tender sensibilities and its smut level is set to 'stun'.

As well as being brain-dead, the plot is nasty.

McLeod teases out the tale as we see how much of this has exited the realm of fact and entered the realm of collective myth and storytelling in the years that have passed.

Essentially, the film is weak on detail and strong on personality, although, even that, promises more than it delivers.

You have never seen a film nosedive as badly.

The film may be a dog trainer's day out but as entertainment it sucks on wood

At last, a children's film that is fun!

Beautifully photographed.

Changing the main character's sex from a man to a woman is the most obvious and radical idea Taymor brings to the table, and it succeeds in deepening several of the piece's key relationships.

Though the film had its moments - mostly in the deliciously playful nature of Shakespeare's dialogue - it's hard to see it matching the success of other recent adaptations of the Bard.

Takes a while to settle down into a comfortable, consistent tone, however, it's wonderfully unpredictable.

What's good about director Bryan Singer's approach is that he respects the material and so do the actors. There is not a whiff of parody.