Search: Starring Alec Baldwin

The Aviator is a beautiful picture with flawless performances, wonderful cinematography and extravagant mise-en-scene.

Drawing on the grand guignol horror that its creator had loved since his own childhood, Beetlejuice combines gleefully gory special effects with high camp, sharp wit and irreverent humour.

Blue Jasmine has all the wit and insight of classics from Allen's autumnal period.

Moore, so often miscast in her youth, has been waiting a long time for a role like the one she has here.

The script is hilarious and the CGI's lip-and-eye treatment positively perfect

So silly only a certified boring person would not enjoy.

Not a particularly impressive film.

After messy, overblown mishaps like Gangs Of New York, the maestro of Mean Streets is back. With a vengeance.

The story has a been-there-botched-that staleness about it.

A love letter to the resilience of the bereaved.

It is the closest thing to an artistic masterpiece in the field of computer generated optical illusion.

There is no reason why this should not be a hoot, but nothing is followed through, as if the writers are desperate to fit everything in before the sentimental finale.

Great cast, great dialogue, great Baldwin cameo, great movie.

It is only after leaving the cinema that questions come bursting to the surface, not that they undermine Dr Niro’s magnificent achievement behind the camera

Meryl Streep looks more and more fabulous in each new role and is clearly having the time of her life here.

While it might be a bit too heavy handed in terms of symbolism and part of a very crowded genre, Lymelife isn't guilty of any major sins either.

For sheer style, the film is electric. Demme is incapable of being boring and consistently comes up with surprises.

This is formula fare. Nothing wrong with that when it's given serious treatment.

Open your eyes. Admire the death defying artistry.

Edward Norton has taken risks all down the line and proves himself capable of unquestionable courage in storytelling.

Not so much From Here To Eternity as From Here To This Time Next Week, which is a terrible waste.

Cruise is by far the most entertaining thing in Rock Of Ages, and as with all his films, he looks like he is trying exceptionally hard.

The set-up is formulaic, to say the least.

Stiller, Paltrow, Murray and Luke Wilson needn't have bothered. Their characters are stuck in ruts.

The movie is peopled by characters without boundaries and the cast responds by turning in some of the most extravagant performances this side of I, Claudius.

Every time we are afforded a glimpse of the outrageous figure, the film crackles with energy.

Deeply tedious and bereft of purpose.

Daft as a brush and consistently funny.

An ensemble comedy, with captivating performances and a wickedly funny script.

Moore runs away with the film.

Baldwin lifts the scenes he is in with his brand of easy charm an antidote to occasional outbreaks of cheese in the script.