Search: Starring Alun Armstrong

Despite its entertainingly unusual premise, Billy The Kid And The Green Baize Vampires doesn't really hang together as a story.

The power of The Choral is that it evokes smiles and laughter in opposition to the oppressive reality of these war years.

The quality of this production is seamless, and if there is a criticism you could say it lacks originality, remaining faithful to the novel, which, for purists, is a form of flattery.

The film has more violent action than a PG-certificate dares admit to and looks suitably legendary.

The film is in danger of resembling a caricature of working class life, circa 1960

Carter has become one of Caine's most memorable performances in a long career.

This is a shivery thriller, made better by a disturbing lack of information.

Just about the most boring fantasy film ever made.

Considering the massive cast of characters and overlapping plotlines, David Edgar's adaptation is little short of a masterpiece.

Stage performances tend to look flat and muted on screen, anyway, but this must surely have done so for the audience as well.

Sprinkled with a heady dose of magic realism, this film is lovely.

Visual surprises make up for the absurdity of the storyline.

The plots improve as Series 3 progresses, but it is not so much the complexities of the story lines that hold your attention as the personal idiosyncrasies of the characters.

As an adaptation of Pushkin's narrative poem, Michael Ignatieff and Peter Ettedgui have delivered a modern screenplay that rips through convention to the pulsing heart of a country girl's passion for a sophisticated urban aristocrat.

The poem and whole tone of the film evokes Ted Hughes’ The Crow anthology.

Kelly Macdonald has retained the one thing that actors would kill for, the ability to be natural.

Van Helsing doesn't pretend to be anything other than a comic book adventure, but even comic book adventures need some kind of grounding in reality.