Search: Starring Anna Chancellor

Though it is Cox's turn that grabs, it is Konig's that delights.

While the film's more nostalgic elements are likely to help to keep adults on board it is also invigorated, not only by Goodhill's unorthodox approach to the works but also by the diverse casting.

Cold Lazarus ends writer Dennis Potter's career on an elegiac note. But, as ever for Potter, this elegy is played out in bitter minor chords.

Despite full frontals, this is less erotic than scooping shelled shrimps out of aspic with your tongue.

A mixed bag, as while Everett the actor masterfully evokes the mournful mix of decadence and decay of the last years of Wilde, Everett the filmmaker is, like so many before him, too much in love with the brilliant old rogue for his own good.

The movie lives in dreamland and ends in nightmare.

It's rare to see a film that is at once so playful and so openly political.

Underlying everything is a sense of nihilism and borderline amorality in the face of destruction.

The premise pushes its luck in the street cred dept.

Everett almost single-handedly sustains the film, thanks to a nicely pitched turn as the headmistress with a heart.

Dennie Gordon's 2003 version resurrects the worst aspects of English class snobbery in a film that makes you squirm with embarrassment.