Search: Starring Anthony Anderson

Besson breaks all the rules and doesn’t get away with it.

The path this film follows is similar to pregnancy itself - excitement, hope, increasing discomfort, problems with balance, an awkward self image, conflicting emotions as the conclusion draws near and then, finally, relief that it's all over.

As an ensemble movie with a social agenda, it speaks the gospel of community over commercialism.

The story doesn't matter. You know it already.

Car chases, explosions, stunts and gun battles have been honed to a level of expertise that retains the highest standard.

After messy, overblown mishaps like Gangs Of New York, the maestro of Mean Streets is back. With a vengeance.

It’s wobbly on its feet, but it’s definitely got heart.

Edgy camerawork fails to distract from the fact that Hustle & Flow - a hit a Sundance - is about as edgy as the crust on Mom's apple pie.

Jerry Bruckheimer... has no experience with children's films and it really shows here.

Very few laughs.

The film is patchy. The funny parts are inspired. Others... fall flat.

The film has an admirable discipline, encouraged by Li's unshowy style.

The movies that David Zucker and Co are choosing to lampoon are already confined to the trash bin of history, thus rendering the film mostly purposeless.

High-octane nonsense for those who suffer from permanently arrested development.