Search: Starring Ben Whishaw

Englert’s script is an actor’s dream. Connelly, who has matured magnificently in recent years and now ranks among the best in her generation, gives it all she’s got.

A jewel unpolished is still a jewel, and there are treasures here for those patient enough to seek them out.

A poignant and rewarding tale.

This is a film that will be enjoyed most by people who haven't seen many other films.

This is a story of artists and models, the common outsider's perception that art is about creating fantasies, the much more challenging reality that it's about drawing out truth.

Love, loss and laughter come together.

The film looks great if you like sand

A beautifully shot, brilliantly acted incoherent mess, ranking up there with David Lynch’s Inland Empire as one of the most inscrutable films of the year.

Class and experience divisions form the bulk of the interpersonal drama and it’s as predictable as expected, with the added tedium of Hemsworth apparently defaulting back to weirdly out of place Asgardian diction, bellowing like Thor at every little thing

Although the pacing is sometimes poor, the sentiment - while occasionally straying towards the sentimental - is heartfelt and sweet spirited.

If you're going to do science fiction, you really need to get the science right, because otherwise all you're doing is attacking straw men.

Lanthimos satirises our obsession with relationships and modern day electronic dating rituals although the results are not nearly as funny and knowing as the director clearly thinks.

The stakes are high and the fears tangible in this return, which invites discussion and doesn't protect parents from uncomfortable questions. This is the power of the film. Mary Poppins herself wouldn't want it any other way.

The young actors, making their first movie, take risks beyond the call of duty.

Its first two episodes suffer from a lethargic lack of quality drama and comedy, but from episode three onwards, it digs its heels in and occasionally stuns with cleverly observed satire.

No Time To Die might not save cinemas, but it will keep Bond going.

Paddington is irresistible, funny and smartly constructed with a disarmingly big heart.

This is exactly what a sequel should be, respectful, goose bumpy and warm hearted

One of the most subtle films of the ongoing year.

It would be difficult to find anything but goodness in Copperfield's personal history and a delight in the way things turn and turn again.

Wishaw is an absolute wonder, delivering the conversational, sometimes stream-of-consciousness dialogue with a constantly engaging, almost hypnotic cadence.

This is the best-looking Bond film ever made.

The ultimate catch is that Spectre is no longer the villainous outsider. Their badness is corporate: its core, global surveillance and information technology.

All message and no massage

Changing the main character's sex from a man to a woman is the most obvious and radical idea Taymor brings to the table, and it succeeds in deepening several of the piece's key relationships.

With impressively sourced archive footage, much of it in colour, the film presents a fair overview of its subject and finds time for laughs even in stories with tragic endings.

Polley has crammed in a lot of good ideas, but they cannot all usefully share the same space.

The Zero Theorem is a messy mélange of broad pratfalls, challenged idealism, dark satire, and expansive, indeed cosmic allegory - but it also .cannot escape being seen as a kind of Brazil vers. 2.0.