Search: Starring Benedict Cumberbatch

One of this year's must-see films, this is not simply a worthy tribute of a subject too often ignored by Hollywood; it's also a remarkable piece of cinema in its own right.

We witness the best ensemble acting in a film with actresses in leading roles that Hollywood has produced this year.

Infinity War is a clearing of the decks: opportunity for new characters and plots to emerge; opportunity too for some characters to move on.

Simply put, I don't know what it's trying to do, and I don't know if it does either.

It's true what they say about violence. Too much and you become immune.

What makes the ensuing story special, besides Cooke’s elegant direction, are the relationships between the characters.

This is a film which seeks to convey emotional truth rather than historical accuracy.

It might not leave you spellbound but you're likely to be charmed.

The most mind-bending, spectacular visuals of the entire series.

If you take it for what it is rather than what it was marketed as, The End We Start From is an interesting watch.

More combat means less time for character interaction, and by the third act, Jackson has already shoehorned in more characters than the film can handle.

Benedict Cumberbatch lends this cruel, ancient dragon all the gravitas and otherworldliness that Sean Connery utterly failed to in Dragonheart.

The kind of period drama that screams “festival launch” but doesn’t trust its audience enough to tell its story subtly or with any surprises.

Into this miasmic mess of muddled make-believe stumbles mathematician Stephen Ezard, surely the most inept protagonist ever invented.

Despite Rahim's excellent work, the real standout here is Benedict Cumberbatch.

The characters are crudely drawn in more ways than one..

Portraying a woman of such character is no easy task, and it's unfortunate that the task has fallen to Natalie Portman.

The pace accelerates through 15 stages of excitement without stopping to refuel

The real challenge is to keep up with the pace as well as the information overload.

Campion treats the material with such well-mannered reverence that you begin to wish that not just the characters, but she too, would loosen up a bit.

The film maintains an excellent blend of the domestic and the dramatic

The baddie's been beefed up, the plot's been pared down, but the emotional core which really sold the first film—the magnificent character interaction—remains unscathed.

It seemed all horribly downhill until the end scenes – which, in total contrast, induce a state of shock.

It would seem that The Ends Of The Earth has everything going for it. Unfortunately, it's interminably boring.

A sometimes compelling, often baffling work that doesn’t really solve the inherent problem of its subject matter, but swings for the fences trying.

This really is the funniest, campest mainstream superhero film I can remember since the Adam West incarnation of Batman.

The cool colours and muted emotions of this John Le Carré adaptation fit the 1973 Cold War backdrop perfectly and are appropriate for the murky world of moralistic shades of grey.

For fans of Dahl or the director, this is unmissable.