Search: Starring Bill Pullman

This movie scores well on the quirky British movie scale.

The lack of any real ‘pop’ to the proceedings is rooted in the fact that the whole film is played as a flashback.

Everything feels alive and the production design by Judy Becker is impeccable.

Haynes is at least as interested in the cultural issues at play here and the psychological impact of living in such an unbalanced world.

As an example of pretentious filmmaking, Dear Wendy scores high marks.

No one is quite who they seem, which suits the peculiar Californian unease that comes with bad air.

Now it's Denzel Washington's turn, which means this is serious and requires a smart turn out at all times and a watch that goes 'bleep'.

It's complicated and increasingly violent

Intelligent and sophisticated.

What is required is not another helicopter in flames.

The new blood get to run around saving the world in a largely unremarkable fashion.

This is hokum with teeth.

One of the qualities of The Last Seduction is its denial of pastiche.

Lynch is a master of space and sound and the world of Lost Highway is at once beautiful and downright evil.

Essentially, this is Gerwig's natural charm versus her character and script's lack of it.

The movies that David Zucker and Co are choosing to lampoon are already confined to the trash bin of history, thus rendering the film mostly purposeless.

Walking Out treads a familiar path but harks back to ideas that have been forgotten in many modern hunting myths.

You Kill Me is light-hearted, never really laugh out loud funny but always amusing.