Search: Starring Bruce Willis

The concept of 16 Blocks is nothing new... Unfortunately, the concept outweighs the result.

Cassavetes could easily have made all this into a dead serious finger-wagging morality tale of wasted youth. Fortunately, he realises the potential for jet-black comedy.

The film goes for broke. No safety net. No apologies. Believing in itself.

Willis turns on the charm and is so laid back, he lets Thornton and Blanchett steal scene after scene.

The rules for this film are tell don't show and signpost everything.

Both female stars are on fine form here, relishing the chance to let go and unleash the full force of their personalities.

The film is not dedicated to the NRA although it should have been.

A cool, classic and creative action picture.

While its action and tone are robust and entertaining, it feels over-familiar, overconfident, and over-long.

The Expendables 2 has the cast you feel the first one should've had - though Steven Seagal is really needed to complete the alignment of the planets - but it fails to craft anything really unique on its own with these assets.

Despite all the blood on screen, Fast Food Nation is a strangely anaemic movie.

The film is ludicrous and wonderful. It has genuine eccentric conviction.

Did I care? Not really. There was a certain homogeneity amongst both villains and saints.

To be frank, it's more awful than odd.

Hostage is a brainless movie, masquerading as an intelligent thriller.

Bruce is always one step ahead, which keeps tension levels low.

The Kid has a considerable amount of charm.

As Brucie bursts into yet another room and unloads his automatics into yet another group of anonymous heavies you’ll find it hard not to think that this has all been done before – and better.

Although the cast all appear to be having a whale of a time, it doesn't quite translate to the amount of laughs it ought to.

It's the pace of the film that wins the day.

This is formula fare. Nothing wrong with that when it's given serious treatment.

The substance doesn’t match the over-abundance of style.

The perfect summer movie for the eternally 12 who like to travel in style.

Edward Norton has taken risks all down the line and proves himself capable of unquestionable courage in storytelling.

Jaime King is great as much put-upon innocent, gritted teeth, reluctant heroine.

It hits all the right notes. It's cute, it's funny and the creatures and the backdrops are all amazing.

It's not high art, but it's highly entertaining.

Excitement shivers through each scene with quirky, individual peculiarity.

The reason this franchise succeeds is that it never takes itself too seriously.

The cast are clearly having such an immense amount of fun you really can't help but join them.

This is inventive and fun. You can't ask for anything more.

You don't venture into this steaming snake pit without balls of steel

Edward Zwick has succeeded in turning a contemporary nightmare into a good day's sleep.

I know it will mostly appeal to comic book fans like myself, but people should give it a chance, if only to experience its style.

The pace is slow, not that that matters, because Osment is such a compelling actor.

Surrogates develops into a glossy thriller that looks and acts just like the real thing.

As well as being politically to the right of Ghengis Khan, this is an ugly, racially disturbing, violent and inappropriate film.

Though it's certainly a powerful piece of work, it doesn't always seem sure of its own convictions.

Matching the subtlety of the story and the assurance of the camerawork, the acting shines.

It’s the cinematic equivalent of Morris dancing: there’s lots going on, it’s entertaining enough – but you’re not entirely sure what the point is.

Perry overplays the scared innocent to the point of no return, while Willis coasts in his support role.

The film is worse than misconceived. It's a criminal waste of talent.