Search: Starring Chris

Death Drop Gorgeous is a cheap and cheerful ode to the glory of drag which takes in the contribution it has made to cinema.

A modern tragedy of male pride plays out in this low-key character study.

Russell's dramatisation is exceedingly accomplished.

This movie sucks cocks in hell.

Good enough.

The film is orchestrated at perfect pitch

It’s a frenetic ride, but one that builds to a sombre climax.

Still has the power to send shivers down the spine.

While its action and tone are robust and entertaining, it feels over-familiar, overconfident, and over-long.

A rich tapestry, which delves into how our reminiscences work.

Distorted probably isn't the stepping stone back to stardom that Ricci needs, but her performance in it demonstrates why she still deserves to be seen as a serious contender.

A commendable effort from a small team.

We get to witness the birth of a new genre and are confronted with a violent American history that Hollywood fictions have previously not dared to tackle.

Why should a story about two angels who have been hanging around Wisconsin for aeons, bored rigid, and wanting to go home, be understandable?

Don't read this review... simply go and see it, for if ever there was a film that is best experienced without knowing a single detail, this unforgettable oddity from Greece is the one.

Dosch uses the true story to make wider observations about the often fraught relationships between humans and animals.

Very easy to like.

It is the fear of the stigma, the unknown and the misinformation about HIV that Doin’ My Drugs makes its predominant mission to correct - a society where people can be open about their status, and more importantly one where they no longer fear being teste

As a crime caper, it is complicated enough to make even Guy Ritchie go dizzy.

All of this visual and intellectual discourse is tied together with two excellent central performances.

The plotting is completely incoherent and balanced atop a trembling tower of absurdities.

It's not exactly thought-provoking, but there is a teasing intelligence on display.

Although everyone knows the outcome, the film remains riveting.

Alexander Payne's latest, unclassifiable film gallivants with us through a number of different worlds that all seem familiar, yet perplexing.

The racist jibes aren't sharp enough. The love story beggars belief.

This is the first [documentary] to really get to grips with the crisis and opportunity that humanity is facing and to deliver an overview that is deserving of the label 'intelligent' itself.

Constantly chilling and never less than eerie, this first colour outing for Vlad is undoubtedly the stuff of nightmares.

Landry Jones is...expanding his range into a conventional space rather than delivering a refreshingly unconventional take.

A bittersweet vision of America barrelling down a two-lane road to nowhere.

Drive is cool. Really cool. In fact this will probably be the coolest film you will see this year.

Beautifully acted all round, Driveways is a small film with a big heart.

Their acting and comic timing is met with clockwork precision.

Dune at least looks, sounds, amazing, though not always.

We're told you can't do everything with magic, but the film does manage to make much magical.

Dying is full of glorious contradictions, many of which occur within the same conversation

A sombre film that never shows more than it needs to, and never allows its more outrageous or shocking moments to descend into sadistic spectacle or farce.

This film just flounders from one uninspired location to the next, with set-pieces that could be interesting were they not handled in such a ham-fisted fashion.

As an example of pretentious filmmaking, Dear Wendy scores high marks.

The pace moves quickly and splices together some good scares, gore and action.

Possessed of a compelling, folkloric intensity, Tom Chick's film is a morbid gem.

Could be a treat for discerning genre fans.

The buzz around December Boys has been considerable – but in truth it doesn’t bear the weight of expectation, being a slight and somewhat predictable coming of age drama with a heavy dose of religiosity.

A stagey, fast-food version of romance.

Gyllenhaal puts in such a brilliant performance that it’s hard not to get swept away.

Romero has started all over again as though his other films exist in some parallel universe. Just to prove anything a younger director can do, he can do better, the whole thing is shot cinema-vérité style.

Yes, it’s flawed and a bit daft at times, but for transforming a show that virtually nobody thought was worth bringing back into impressive Saturday night TV, Davies deserves all the back-patting he gets.

Every image drives the story on, or highlights the characters’ tragedy.

Doghouse offers a lot of shouting, a ton of gore and a male wish-fulfilment fantasy where all women really ARE nothing but trouble and the only way to deal with them is to hit them round the head.