Search: Starring Christian Slater

The emotions of the characters can barely find any wiggle room.

Estevez uses Bobby’s words too much, but you can’t blame him, because Kennedy’s compassion and sympathy for the underprivileged shines.

Bourbon Street and its surroundings have rarely seemed so authentically seedy.

Alas, the writing lets both film and actors down tremendously.

He Was A Desperate Man might have made a better title, as one can only assume that Slater has been short of offers lately.

A story this damp should be squeezed before use.

Sharply acted all round, evocatively lit in bright Eighties colour, and perfectly paced, Heathers is a technical tour-de-force.

The relish with which Tom Cruise delivers even the most awful lines is quite engaging.

Lola Sepa will always be for me now a real character I have seen, not a fiction.

The Name Of The Rose presents the Dark Ages at their very darkest.

It's a film that goes out of its way to provoke and disappoint, but to those who get its jokes and can cope with the rest, it's a delight.

Despite some obvious cheese and more than a few slices of ham, this is popcorn of the best kind.

Another victim of the style over substance genre.

The ensemble playing is on a level of communication that hardly requires a script, flowing like sick down the front of a summer dress.

John Woo specialises in the spectacle of violent death and, after a while, this becomes monotonous.

Björn Runge is in no hurry to reveal his characters' faults or their history, letting his camera linger on Close and Pryce, so we can see the thoughts that swim on after the words die away.