Search: Starring Danny DeVito

Anything Else is a breezy comedy, full of funny scenes and classic Allen one-liners.

This is a short film about Catwoman weighed down by a lot of vague nonsense you'll end up skipping through.

The only flair exhibited in Be Cool belongs to the set designer.

This is no classic, it's formulaic stuff, but the quality performers prevent things getting to saccharine and preachy.

For all the 3D eyeball-poking efforts, barbershop-quartet singing fish and more colours than an explosion in a paintbox, the thin story never rises beyond merely okay.

Over the years, people have tried and failed to be as cool as Travolta.

Flawed, but with enough interest to suggest Jake Paltrow may be one to keep an eye out for in future.

While the chase scenes are effective, the jokes feel like the ghost of much better one-liners.

To watch actors work with such unity of purpose is a scary thing, like balancing between probability and deception.

If you liked the first film, this is a lot more of the same, with the curmudgeonly DeVito adding enjoyment to the framing sequences.

They say this is based on a couple of Chekhov's shorter prose works. If so, everything was lost in translation.

What is unexpected in this self-conscious pander to the cult of genre cinema is the violence. It lacks the dignity of constraint.

There are moments when you feel that this is either a memorial tribute for the family, or a postumous practical joke, as Carrey acts his socks off and the need to honour the cult-of-Andy appears paramount.

What should be a romantic mush cake, with lemon icing and a cherry on top, is treacle pud, with hot fudge and molasses.

Rarely has the title of a film summed it up so well - or so completely.

A gloriously enjoyable light comedy.

The only mystery is why anyone would stay to the end of Poolman.

A painful watch.

There isn’t such a thing as a well honed one-liner, or a scene that doesn’t make you want to curl up into a ball and ask to be kicked.

The documentary is never dull due to the excellent pacing and editing.

Not typical Grisham, it is closer to autobiography than fiction.

Issues of originality aside, Romancing ultimately succeeds thanks to the natural on-screen chemistry between Douglas and Turner.

Coppola demonstrates remarkable confidence.

Run-of-the-mill means straight-to-video and that's what this should have been.

Wiener-Dog is a Solondz film through and through – there's still no-one daring to be quite so acerbic and inhumane towards his characters while keeping them grounded in a sense of relatable experience.