Search: Starring Diego

The River Train lets language do what plot will not always do, it gives a child’s abstract longings a body.

It’s hard to say which is worse: the plot additions that amount to self-parody or the stilted pacing.

We are at a point where the wonders of earth and an awe in regards to nature cannot be shown often enough.

Almodóvar goes all out with the delights fashion has to offer, bright colours, the joy of transformation - because it is never too late for sartorial metamorphosis.

Bernal and Luna bring the same casual and endearing spontaneity they showed in Y Tu Mama Tambien to the fore again here.

Leads and support cast alike march their talents off a cliff like the most earnest of lemmings.

This is as much a film about femininity as Jaws was about masculinity.

The impressive framing and gorgeous washed-out look does not extend to the script of what is, ultimately, a rather pedestrian film noir.

It looks as if Scorsese is battling his own demons, oblivious of the pain he inflicts upon an unsuspecting audience

The impact of the plane crash near the start of this retelling of the remarkable true survival story is shown in visceral detail with a sound design that slams right through you.

Brutal, bloody and enriched with a specific dark humour.

This film does much well but little new.

Spielberg's direction is delicate, but very relaxed.

It treads a fine line between the serious and the comic.

As the story ball is passed from one set of characters to the next, you sense the dexterity without being distracted by it, while the messages about being a team player and winning by fair means not foul underpins the action without getting in the way.

Littered with sexual innuendo that is about as funny as drowning kittens.

Àlex Brendemühl is superb as the doctor, by turns avuncular and ruthless, somebody on whom the family find themselves increasingly dependent even as they come to distrust him.

It may be derivative, underdeveloped and twee, but it has force of personality.

Although darkly funny the film also has strong undercurrents of genuine emotion - Gloria's despair is real rather than comic.

The characters of Tenoch and Julio are beautifully realised by Luna and Bernal. They bring energy and verve.