Search: Starring Eco

The film's greatest attribute is also its main flaw - an unrelenting stream of video footage.

Goldman spins a moving story and allows the audience to empathise with the characters.

As we progress, it becomes apparent how skilfully director/co-writer Mama Keita has juxtaposed flashbacks to Alfa's life in France with his ongoing African journey of self-discovery.

Gerard Depardieu... gives a performance that is accurate, sincere and unwatchable.

The film is repetitive in the way it tackles its subject, but the people themselves make up for that.

The film retains its cartoon quality, without winking at the audience or pretending it's all too silly for words.

A film that is entirely built on moments and glimpses.

As Zürcher explores his protagonist's psyche, straining the limits of a pervasive sense of turbulence, he steers the narrative into a dream-like realm of refreshing sincerity.

Where is the magic?

Anna Brecon is convincing as the numb, traumatised Paula, but it's really Jane March's film.

Mid-life crisis has rarely felt so queasy as it does in Argyris Papadimitropoulos' character study, which features humour so dark you can feel it closing in around you.

The film is at its best in its exploration of gender fluidity and the importance of being at ease with yourself.

The film is well acted and well made. At more than two hours, you feel it.

A rare example of something which might entertain brave six-year-olds and wistful teenagers alike.

Distinctly amateurish kung-fu kicks and delightful rubber-suited dinosaur antics can't quite disguise the fact that Steere is a filmmaker who knows what he's doing.

The motor running Sánchez's film stays in full throttle to the last.

A breathtaking fantasy world with stunning live-action puppetry, flawless CGI and a talented voice cast.