Search: Starring Emmanuelle Beart

Ozon's quirky French murder mystery-cum-comedy-cum-musical is a brilliant pastiche on so many genres, it has no right to be as entertaining as it is, or as gripping.

L'Enfer is an antidote to romanticism.

Bergery crafts an intimate portrait of loneliness and rediscovery, and of particular insecurities pertaining to a certain age.

For those who cannot follow the plot there are some really good set pieces, with enough tension and excitement to carry the movie.

This is a film, not about marriage, or sex, although on the surface that's what it appears, but about lies and whether absolute truth in life and love is possible, or even preferable.

Director Damien Odoul successfully blends a mixture of naturalistic and unobtrusive camerawork with occasional bursts of surreal imagery.

As a comedy of manners, it is exquisite.

This is not the despotic kingdom of Rambo but something worse, increasingly alien, a murky desperate Myanmar.

The film rejects the stereotypes that frequently dog gay characters, allowing them to flourish, although the female protagonists feel less fleshed out