Search: Starring Ethan Suplee

Smith crafts a movie that is more polished and - arguably - more mature than his previous efforts.

It’s hard to describe the plot without it sounding laughable, but as a viewing experience it is, at times, riveting.

You cannot begin to understand what's going on, or not going on

Ryan O'Nan is good value. He is ably supported by Ferrera, as the long-suffering spouse. They're stuck with a script that can't quite find the right voice for its concerns.

Seldom in cinema has eschatology been treated with such intelligence, or inspired such aching awe.

Maika Monroe is superb as always, showing that she can adapt to pretty much anything and make it believable. Her character is a basket of clichés but she gives her a distinct identity nonetheless.

The inconsistency of tone infects every part of the film, leading to uneven performances .

Edward Norton has taken risks all down the line and proves himself capable of unquestionable courage in storytelling.

In the long standing tradition of MOR liteweight comedy, sentiment oozes through the gaps between testicle crunching and mom devotion

Succeeds in grabbing your attention but doesn't really deliver what it seems to promise.

Redneck kids bond with black brothers. It's so corny, it can't be true. And yet it is - or was.

By the time Frank and Chris are taking on the train - complete with running, dangling and some large chunks of that back story you had rather hoped they'd forgotten about - the tension begins to hum.

Funny and exciting, with non-stop action and set pieces.