Search: Starring Gabriel Byrne

Richet is at his best when moving quickly - he's a director in love with momentum.

All fur coat and no knickers.

An overflowing life is presented to us through archival interviews and film clips, and most revealingly through on-camera insights from O’Brien herself.

There is a whisper of the artwork of EH Shepard about the hand-drawn style that seems fitting given his tale shares similar philosophy, albeit more obviously spelled out.

While offering some notion of Beckett’s feelings towards key people in his life, his works feel very underrepresented.

A western for sleepwalkers and dreamers.

A taut thriller rooted in several strong performances.

No one is quite who they seem, which suits the peculiar Californian unease that comes with bad air.

If you like thrillers high roasted, this will keep you awake.

Excalibur is a film whose sheer scale does justice to its subject in a way nothing else has come close to.

Williams’ work is heavily invested in the ambiguities of coincidence...In literature, where there is room to play, this is one thing, but when condensed in a film it starts to feel like clumsy contrivance.

By the time the surprise ending is revealed, interest cannot be revived.

I personally found Aster’s film incredibly unsettling, one of the closest approximations to the kind of nightmares that really shake me that I have seen on film recently.

Given the Rampling family pedigree there are certain expectations of quality, and Southcombe largely lives up to the promise with this sharply stylish crime mystery that gives plenty of space for Rampling to flex her acting muscles.

Richly atmospheric and often deeply disturbing, Jindabyne is a superb example of well-crafted drama, cinema taking on real issues without ever losing its narrative edge.

A movie that lets you be the judge of inappropriate behaviors and risks worth taking.

Trier has difficulty holding it all together as he examines themes of grief, parenting, family, and coming of age.

As a rookie director, he lacks visual flair and tends to hug clichés for safety's sake.

Classic Coen Bros.

The plot revelations are interesting and not easily guessed beforehand, making this film more than your simple romantic drama .

For what is essentially a psychological horror film, Spider is remarkable for its quietness, its unassuming grace.

Bille August is a director who responds to the sensibility of abandonment, recognising an outsider's perception.

Wainwright's style is crude... slow-motion water droplets are constantly about to hit the deck, while white doves flutter toward high windows.

Singer and McQuarrie expertly sustain a rich and tantalising conceit, keeping the reader guessing to a superb climax – and beyond.

The film looks magnificent and the performances, particularly from Witherspoon and Atkins, are exemplary.

A delight from beginning to end.