Search: Starring Glenn Close

The film would embarrass a turkey farmer.

What really makes the film work is the ambiguity around its central character.

La Bola Negra was an unfinished work in a life cut short but the film named (variously) for it is extension and tribute and triumph.

Altman has chosen the perfect cast.

As the story glides gracefully from pitch-black comedy to complicated tragedy, you are in no doubt this is a film which happened at the right time in the careers of its two central stars, and for cinema.

Everything about the film is ill-judged, miscast and intellectually anorexic.

Evening has all the advantages one might hope for. It's a shame, then, that it doesn't quite fulfill its potential.

At the core of Adrian Lyne's sumptuously photographed fable is an encounter with real chemistry and a vital balance that makes us question - if only for brief moments - whose side we should be on.

Kunis’ performance is raw and ugly in just the way it needs to be.

Christopher Lambert's soulful performance creates real emotion where the film might otherwise have descended into camp.

It's never easy to remain true to Armageddon while retaining a positive attitude towards life after life

Overall, Guardians of the Galaxy is good fun.

Gibson's courage captures criticism. He leaps at the role with such raw excitement that comparisons are superfluous.

Recycled, repetitive and dull, Hillbilly Elegy strives for sincerity but lacks sufficient conviction to be either meaningful or entertaining.

There have been a lot of LGBT history documentaries around... this is by far the best.

Rarely has the title of a film summed it up so well - or so completely.

Featuring an up to scratch all-star cast, it is Close who really shines, with a cracking quirky little performance, again demonstrating her range.

If you’re a Close fan, it’s a must.

Every frame is exquisitely constructed, every breath measured.

Garp was only the second big screen leading role for Williams (after Popeye) but he really gets to show his range.

Björn Runge is in no hurry to reveal his characters' faults or their history, letting his camera linger on Close and Pryce, so we can see the thoughts that swim on after the words die away.