Search: Starring Harold Perrineau

28 Weeks Later... makes for scorching horror. Like the original, it offers a perfect blend of well-drawn characters, political allegory, grand guignol, flesh-crawling tension and very fast-moving zombies.

The story has a been-there-botched-that staleness about it.

A testament to harrowing real-life experiences.

There's a noirish aspect to it which, in places, elevates it beyond run of the mill thriller territory.

Where Lost really scores is in its mixture of action and romance.

The second in the trilogy is less innovative and more windy in the speechifying department.

Danes deftly avoids making her character appear at all weak or insipid, instead showing us a young woman of great courage and agency, in spite of how little control Juliet seems to have over her life.

If you've read the paper during the last ten years, you won't get much new insight here.