Search: Starring Hugh Grant

What makes About A Boy so refreshing is the surprise factor - surprisingly funny, surprisingly unsentimental, surprisingly enjoyable.

Daft the plot may be, but all concerned do a splendid job.

An enjoyably salacious, seedy experience.

The ending is a pastiche of the worst kind of Meg Ryan/Tom Hanks wet hanky job and a sop to the American market.

Firth is immaculately buttoned up and Grant delightfully flirtatious, although there is not enough of either.

This is a film that will be enjoyed most by people who haven't seen many other films.

We're told you can't do everything with magic, but the film does manage to make much magical.

There isn't a massive amount of 'action' per say, but Apted's expertly-paced tale throbs with genuine suspense as the net progressively closes in on Guy.

The embarrassment levels are high

The audience is taken from delight to despair, while never truly losing its grin.

An intense pop-cultural awareness permeates Heretic. This is the doctrinal dialogue of our age.

As with so much of Russell's work, the film is let down by atrocious editing and tries to excuse its own failures with a desperate humour that only sometimes works.

It feels middle-aged, lazy and reliant on stereotype.

Car chases and retro dialogue clog up the machinery

What's really revolutionary about this film is the way Ivory photographs male bodies.

Whether you’re a fan of the company’s work specifically or simply interested in the history of cinema, this portrait of its longest-lasting partnership will delight and entertain you.

Continuous self-effacement leads to indifference.

By any mainstream yardstick, Music And Lyrics is a success.

Being English and Hugh and frightfully-actually, the jokes have a cringe factor above the blush line.

This is exactly what a sequel should be, respectful, goose bumpy and warm hearted

These particular pirates may not be the greatest at, well, pirating, but if you're ready to set sail for adventure, they're the crew to join.

The ideas are presented in a crisp, unfussy way by James Ivory. He’s working with an intelligent script by Ruth Prawer Jhabvala, and two impeccable central performances by Hopkins and Thompson.

Don't expect enlightenment or character finesse

Five minutes into the movie and you know how it's going to end.

Sweet, light, funny and perhaps most merrily, musical.