Search: Starring Jackie Chan

The art itself just on the edge of real, the spectre of the special economic region, the consequences of colony.

This is a sci-fi action romp with a sense of humour and tongue firmly in cheek.

Martial arts genius aside, it's the film's warm-heartedness that has really given it its staying power.

Watching on the big screen creates a sense of immersion perfectly suited to this subject.

Chan delivers a martial arts film of truly dazzling fight sequences that proves his physical and technical prowess, whilst injecting something very un-Lee, something very Chan. The humour.

It's a loving homage, even verging on pastiche, but while it never comes close to wasting the talents of those involved it does fall short of its potential.

This is a film whose bombast and ambition is compromised by the fact that it clearly never met an idea it didn't like.

Two of Jackie Chan's most popular films.

Jaden Smith instinctively knows how to act for the camera - and is evolving into one of the most natural child-performers I've seen in a very long time.

A thoroughly enjoyable confection that will amuse the kids and provide some decent laughs for those of us for whom attempting a roundhouse kick would require pain medication and physical therapy (I know, I tried).

The vocal cast is star studded. Trouble is they are given too little to speak.

Gleefully helping itself to whatever seems fun at the time, Kung Fu Yoga captures the matinee spirit perfectly.

How the film avoids animation overload is with a script that apes cynical teenspeak and a voice cast that is ensemble perfection.

The Medallion has five scriptwriters. Surely one of them might have noticed a gaping hole where the story should have been.

The best new Die Hard film so far this century.

Constantly inventive and packed full of things you shouldn't try at home.

With a simple plot but a lot of energy, the film careers from one sequence to the next, pausing only briefly for evil scheming or angstful romance scenes.

Project A is a film which plays to its strengths, delivers what is expected and will not disappoint fans of its star or his genre.

The peril inherent in the resistance group's situation is leavened by a large helping of slapstick comedy.

Red Hare's ... repertoire of tricks is rather limited but he’s wonderful at conveying emotion, and Yang uses this to great effect

The humour emanates from excellent rapport between Chan and Tucker.

All the boxes have been ticked, but with a pen all too quickly running dry.

Victorian London is as phoney as some of the accents.

Chan's fight choreography is always imaginative...The extent of his skill continues to amaze.

Drawing on coming book traditions rather than the animation styles associated with the TV series or previous big screen efforts, it makes for stunning viewing: fluid, inventive and full of character.

The Tuxedo is like a Chinese meal. You've forgotten it half an hour later.

Schizoid, slick and above all disposable... also, curiously, fun.