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All this is held together by an impressive performance from Liberato.

The direction is different, but appropriate.

Marshall Herskovitz, who made Legends Of The Fall into a remedy for insomnia, directs from the sitting position.

A thriller, a deep hard stare into the nature of escape, a comedy of metaphors and an alluringly photographed glimpse into the abyss.

The plot simmers along nicely, dipping and weaving between the two storylines with grace and style.

Sarah Kernochan's screenplay is precise and doesn't shy away from the real-life absurdities we all encounter.

The pace of the film would not startle a snail.

What keeps the film one step away from Slush City is the crackling dialogue and the performances.

Bloomquist invites us to think again about the type of people who are drawn into cults, and to reflect on what is missing that they need to replace in this way.

Taylor Sheridan's latest action flick has a workmanlike solidity but despite the repeated presence of physical infernos it never manages to get beyond a low heat in terms of tension.

The acting depicts fear and determination - no shades of emotion, no humour.