Search: Starring James Woods

The only flair exhibited in Be Cool belongs to the set designer.

[Casino] will dazzle and seduce you. The stand-out performance belongs to Stone.

It is the closest thing to an artistic masterpiece in the field of computer generated optical illusion.

The casting is so unimaginative that you know who the dodgy characters are by checking the names on the billboard.

The tendency to set up dramatic moments only to drown them in sentiment hurts the integrity of the film.

A yukfest of superatural proportions.

It's a small film - it was shot on a shoestring in 24 days - that tackles big themes, such as love, loss, life and death, and never takes itself too seriously.

Wambaugh seeks after truth and in so doing deflates the dramatic impact, as real life does not employ an editor to slice facts into exciting shapes.

There is something here that strikes home.

The secret, by the way, is that there is nothing to say about this film, except 'Don't go'.

This new incarnation won't linger in your head like its predecessor, but it remains a hugely affecting and effective experience.

A slow burner.

The animation which has gone into these characters is magnificent, giving them lots of subtle facial expressions and body language.

Nothing else has captured quite so succinctly the dynamics of the information revolution or its impact on what it means to be human.

Coppola demonstrates remarkable confidence.

An affectionate, touching piece.