Search: Starring Jennifer Ehle

As with the best science fiction, the technology of the future is used to explore the human condition of the present.

Roache acquits himself well, but the rest of the cast clearly struggle with the awful dialogue.

There’s a particularity about this place that is etched into the screen.

Fifty Shades is romcom without much com: an old-fashioned soft porn flick designed to appeal to women “of a certain age” (and younger).

Perhaps everything doesn't quite stack up into a neat narrative but as a film that explores the frosty hinterland between sociopathy and more simple teenage boredom it follows through.

Too niche to reach

The film could be called "old fashioned" but that is rarely a bad thing.

I was won over by the whole approach of this confident sophomore feature pretty early on, from the witty, frank but also very tender script to the great casting and performances.

Watching the two young men, you may well find your sympathies shifting – and you may wonder which of them, if either, is actually en route to becoming a killer.

Aficionados of the whodunit won't be disappointed.

While on the surface Pride And Glory seems to have cynicism coming out of every pore and revolves around the world of dirty officers, at its core it's actually a love-letter to honest cops.

Davies looks at questions of the soul, family, war, creativity and how to be true to yourself - all in stunningly beautiful images.

Ditching the satirical elements for a more straightforward sci-fi 'issues' approach, Padhila goes for a more serious minded investigation of the man-machine control conundrum.

It lacks the energy and precision vital to any journalistic investigation, and especially to one taking place under this kind of pressure.

Szabo's saga is a reminder of how great European cinema used to be.

The acting has a richness that sparkles.

Even its vapidity fails to contribute anything new to the subject matter it's dealing with.

Barry Markowitz's cinematography makes the bleak marshland look hauntingly beautiful throughout, without ever relieving the sense of natural menace that hangs over the film.

If you've read the paper during the last ten years, you won't get much new insight here.