Search: Starring Jesse Eisenberg

Like a sort of laughter thong, it covers very little and doesn't save the blushes of anyone involved.

At its core, Adventureland is a surprisingly sweet and tender coming-of-age romance.

For those who get into the rhythm of it, this is an instant classic.

The lack of any real ‘pop’ to the proceedings is rooted in the fact that the whole film is played as a flashback.

Like a mutant monster, barreling out of control and straining to contain its own shifting form.

A fluffy and charming confection that has an enticing exterior without much substance on the inside.

Eisenberg’s obvious love of amateur dramatics provides The Debut with a foundation that feels akin to a warm hug.

I wished for Billy Wilder's spirit from The Apartment to take over the tone just a little bit.

Ponsoldt's film is more interested in what lies beneath the skin of the men than the covers of the book.

This is a story of building a thing against impossible odds.

Trier has difficulty holding it all together as he examines themes of grief, parenting, family, and coming of age.

Trengove seems determined to defy the standard solutions to this sort of mess.

Reichardt observes the game coolly, yet provides more than enough detail to show the contradictions in her players' gambits.

It's just clever enough to keep you guessing.

Any attempt to explain the detailed confusion of the storyline will cause brain damage.

Once Rio has settled into its status as a romantic chase caper, the breakneck momentum comes ready-fitted.

As the film sinks into a morass of sugary fizz a serious question bursts to the surface: are children really interested in emotional cohesion within communities?

The film is all words and attitude.

Eisenberg takes us through the entire journey in a brisk 90 minutes, but the film never feels rushed.

Jakubowicz has achieved what every director depicting the Nazis strives to do but what most fail at - he has made them terrifying again.

David and Craig Zellner aren’t just here to make us laugh - although they certainly achieve that - they’re also in the business of building a detailed and delicate world around a year in the life of their creatures that proves surprisingly poignant.

Fincher's cautionary fable is way more riveting than anyone could reasonably have expected.

A tragically funny glimpse of a family in meltdown, made all the more excruciating by the veneer of sophistication blanketing everyone involved.

Lorcan Finnegan never allows us to lose sight of the absurdity of the situation, nor of the real life absurdities that it points up.

Corbine gets caught up trying to cover the narrative ground, to set up both characters in twin time periods and explore their motivations and relationship.

Everything about Zombieland works, from the expositional flashbacks, to Columbus’ voice-over narration, to the well-judged but sudden changes in tone.