Search: Starring Jesse Plemons

Variously Antlers lets what might have been subtext break the surface but in doing so undermines subtlety and overmines tapped out seams.

If you’re looking for explosive, mind-boggling special-effects driven set-pieces coupled with broodingly patriotic one-liners from Neeson et al, you won’t be disappointed.

While some directors spend their lives crafting love letters to the worlds they create, Yorgos Lanthimos has developed a fine line in cinematic hate mail to humanity.

It's true what they say about violence. Too much and you become immune.

Digger is not a film that invites fence sitting.

Jones spares none of the gory details in his depiction of the way the West really was.

Scorsese shoots at what is truly important in life and does so, miraculously, by putting the spotlight on organised crime

Plemons’s performance captures the unease and guilt Mitchell feels, while reminding us that the agent is also putting on a performance during his meetings with O’Neal.

It is Scorsese at his, one hesitates to say peak, but absolute.

The entire cast, especially Stone, who has admitted that Lanthimos is a muse, enter into the grand guignol spirit of the proceedings with gusto.

The Hollywood take on magic sporting footwear is the cinematic equivalent of fast food - easily digestible, too sweet, utterly predictable, well packaged, bland and bad for you.

I found myself half-laughing at moments of acidic and keenly observed characterisation before being blasted with horrific crassness and vicious violence.

Campion treats the material with such well-mannered reverence that you begin to wish that not just the characters, but she too, would loosen up a bit.

A clear, clean picture without tricks