Search: Starring John Lithgow

The action sequences are alright, but The Accountant falls into the common superheroic trap (or trope) of confusing origin stories with character development.

Bombshell is a finely crafted film which benefits from one of the best acting ensembles of the year.

The satire feels a bit like shooting fish in a barrel, with Strutt so monstrous he's an easy target.

There is nothing glaringly awful about the film, it's just that it's very middle of the road.

Director Edward Berger and his director of photography Stephane Fontaine have made every frame art.

I can hardly remember a movie more spectacularly ill-timed.

Screen humour has dropped below the level of funny-ha-ha into an abyss where mechanical failure and humiliation are the stuff of legend.

You just don't get family movies like this anymore.

Jones spares none of the gory details in his depiction of the way the West really was.

Not many films are as important to the future of humanity as Interstellar.

The film’s initial loose and enjoyable construction gradually drifts towards a drawn-out and repetitive melodramatic conclusion.

It is Scorsese at his, one hesitates to say peak, but absolute.

Condon lightens the academic atmosphere with an entertaining montage of interview sessions.

Schizophrenic in its approach and vicious in its intent.

Memo to filmmakers: If you’re looking for a failsafe plan to make a delightful film, try showcasing the breadth of Emma Thompson’s talents.

Courageous and uncompromising

One admires the cleverness of it, while wondering if there really are people who live like this.

Aided by richly layered performances from his leads De Palma wrings real emotion and drama from what could have been a deeply silly caper.

Black is back to his High Fidelity form - this comedy is dangerous - and both O'Hara and Lithgow give lessons in middle-aged angst, with hilarious effect.

The directors, Kevin Kolsch and Dennis Widmyer, avoid horror comic clichés. In fact, they avoid clichés altogether.

In short, this is a great summer movie, spectacular in its realisation, yet resonant in its themes.

Ashcroft’s interpretation steers the story away from simple tragedy as we see Mortensen making gains as well as losses.

An instant classic and far too good for children.

Garp was only the second big screen leading role for Williams (after Popeye) but he really gets to show his range.