Search: Starring John Rhys-Davies

Underneath the film's problems, an edgy little thriller is struggling to get out.

Tellingly, despite all this extra material, the film does not feel slower and does not become boring. If anything, it’s better balanced, with a more fluid sense of momentum.

There's a difficult place between homage and pastiche, between nostalgia and the new.

Ford is charismatic as ever as the whip-wielding hero, looking eternally hard-done-by but always up for more.

Boll mistakes unexplained action for plot and hammy dialogue for exposition.

Has its moments of genius.

The Return Of The King is too long and slow. It has about five endings.

This is indeed the war of worlds

The Medallion has five scriptwriters. Surely one of them might have noticed a gaping hole where the story should have been.

Gives the viewer the opportunity to work out, using the 'playfair' clues, whodunit.

What it lacks in complexity or emotional intensity, it makes up for in entertainment.

There's enough of the tiara thing going on for the young wannabe ballerina types out there and, for the slightly older, the handsome prince still brings fairytale hopes for all.

Better than you might expect but not as good as you want.

Demonstrates what an action movie ought to be.

Numerous small changes work together to change the character of the battle.

There is more world building here than in any other part of the trilogy, and the additional material means it’s better balanced with character development.