Search: Starring Jon Voight

A sensitive, intelligent and captivating performance.

How can you refuse a movie that offers a POV shot of inside a snake's belly?

Whilst the actresses are convincing as the original Bratz characters, those characters don't really make sense in this environment.

Deliverance works brilliantly as both film entertainment and in exposing and critiquing the condition of the white middle-class American male in the wake of Vietnam and all that.

If you like thrillers high roasted, this will keep you awake.

There is meat and crunch and intelligent plotline.

Ashby's daughter Leigh MacManus is one of the few contributors to offer an off-set perspective of the man - and it comes with a poignancy and beat of heartfelt truth that is lacking elsewhere.

Mann’s film is a stone-cold masterpiece.

What on earth Weaver thinks she's doing in such a tangled mess is difficult to understand.

Jonathan Demme directs with utter simplicity.

It is described simply as “A Fable”, but there is nothing simple about this over-ambitious allegorical sprawl.

There are still very few films that make room for male characters to be emotionally honest to this degree.

For those who cannot follow the plot there are some really good set pieces, with enough tension and excitement to carry the movie.

National Treasure is just plain boring. There is no mystery, or sense of discovery.

With an unchallenging plot, some interesting facts thrown in for history fans, and likable characters, this is an unpretentious, entertaining film which adults as well as kids can enjoy.

Not so much From Here To Eternity as From Here To This Time Next Week, which is a terrible waste.

While on the surface Pride And Glory seems to have cynicism coming out of every pore and revolves around the world of dirty officers, at its core it's actually a love-letter to honest cops.

Not typical Grisham, it is closer to autobiography than fiction.

Quaid and Miller's performances do a lot to carry a film that seeks neither to deify or demonise. If it weren't for their chemistry some sections would fall flat.

High-octane nonsense for those who suffer from permanently arrested development.

Oliver Stone directs like a grasshopper on amphetamines.

The plot has been round the block so often, it makes itself sick.

The humour exaggerates the worst excesses of Saturday Night Live.