Search: Starring Juno Temple

You'll be lucky to see another film this year as absorbing and evocative as Atonement.

Soloway has crafted a well-observed script, too coarse and cruel to be dismissed as frothy romcom.

It's true what they say about violence. Too much and you become immune.

Juno Temple, building on the early promise she showed in Atonement, is superb as Di, fragile and sympathetic even at her most unpleasant.

The pace is slower than a trot

Baumbach has now reached a point where he is parodying himself, yet he still doesn't seem to have found his own voice.

The chiller/thriller mix doesn't set.

Squarely aimed at a student demographic, the entire affair plays out like an episode of Scooby Doo on acid with the added fuel of frequent sex.

Friedkin has fun seeing how far he can push the envelope with swift, bloody violence and frequent full-frontal female nudity.

The splintered pain of grief interrupted marks out the directorial debut of Reed Morano.

Worth seeing for the performances but ultimately confusion reigns.

An interesting side to this film is how Disney continue to stick two fingers up to the reactionaries.

Dormael’s film fizzles with an abundance of ideas, most of which are beautifully realised.

Eyre’s direction is flawless and Patrick Marber’s screenplay perfectly pitched.

The film's principal weakness is that it's so busy being clever at being something else that it forgets to be itself.

You don't venture into this steaming snake pit without balls of steel

The characters in the film are very much 2D.

That the biggest surprise of the film is not a plot point at all but the appearance of someone famous in a cameo role, speaks volumes.

When Allen foregoes his crutches, any kind of movie seems possible.

This might have seemed like a barrel of laughs but it's actually just a barrel of shit.