Search: Starring Kate Bosworth

Kevin Spacey is really the highlight of the film. Every scene he's in springs to life, his laid back performance blowing the younger cast out of the water.

Even a flawed film can sometimes produce that extra lightness in one's step.

It is violent and visceral, of course, but also a metaphor for the irreversibility of time.

The sense that the characters have accidentally wandered into the wrong film is exacerbated by the fact that we see very little direct interaction.

A deceptively simple story, formulaic in places, but full of intriguing undercurrents.

Stories as good as this are rare.

The tension leaks interest due to a high cliche content.

Redneck kids bond with black brothers. It's so corny, it can't be true. And yet it is - or was.

The script slits your wrists and leaves you in a pool of tears.

This new incarnation won't linger in your head like its predecessor, but it remains a hugely affecting and effective experience.

Moore runs away with the film.

A wonderful movie with a nice clear story, good good guys, bad bad guys, rather special effects . . . really, every department is on top form here.

This role is something quite new for Bosworth, and she handles it with considerable aplomb

All too soon the party's over, after a final serving of cheese, and you start to wonder why anyone actually bothered.

Corbine gets caught up trying to cover the narrative ground, to set up both characters in twin time periods and explore their motivations and relationship.

Stylistically the film is a bit of a mess, frontloading with all sorts of showy technique but then settling down into a more talky, actor-dominated approach.