Search: Starring Kate Lyn Sheil

A ragbag of cliches that owe a debt to everything from Romeo and Juliet to THX 1138.

Mirabella-Davis lets his film unwind slowly. Tension hangs heavy as the humidity in the air.

The moments of distinctly sub-Woody Allenesque humour make you dream of what might have been.

What's missing here is any real sense of stylistic conviction.

A psychologically astute and darkly funny look at the deep bonds of female friendship and the damage that can be wrought by those closest to you.

It’s the sort of story rarely told in cinema today, and one which seems destined to attract a cult following.

Beautifully observed conversations explore the trivial ways in which people opt to waste their lives, but without condemnation.

A fast, furious and occasionally hilarious angster comedy.

Sheil is mesmerising.

Sallitt brings an unusually stringent intellectual level to proceedings that marks his film out from the largely immature field of its peers.

The movie hits some nasty sweet spots but also falls foul of numerous genre cliches, both old and new.

The film, shot on 16mm by Sean Williams, gives the film a retro out-of-time feel and Betzer gives us room to think, the spartan scripting matched by a minimalistic approach to the music.