Search: Starring Kate Winslet

The good work in Ammonite is so good that one longs for it to pick up the pace, to function more successfully overall.

Where the story stumbles, the film is carried forward by action.

Ponderous but glorious.

Unlike many of his other films where there are underlying touches of humor, Polanski plays this one more as a straight comedy.

Is this a film about loss and how (not) to cope with it?

It's not war with an aggressor. It's war within.

If you are already tuned into the issues, you will likely nod along in agreement with almost every sentence uttered in the polished Winslet tones.

toppard and director Michael Apted weave a web of intrigue, suspicion and, for God's sake, romance into what might have been as incomprehensible as a computer hacker's notebook.

It is difficult to find anything bad to say about a film that treats an interesting subject with such respect and ingenuity.

Exciting, adventurous, and flush with visual and verbal gags

The term 'gentle' is too harsh a word to describe the pace of this tale, which is so slow in places it's a wonder moss isn't growing on it.

The Holiday is a romantic comedy. You know what that means.

Jane Campion sets herself high standards... To say that Holy Smoke feels less of a whole than her previous work is not to dismiss it.

Eyre does nothing with the camera except place it in line with an actor.

The ingredients may look to be all there but Reitman's effort feels too full of studio additives and overcooked.

This race for life never fails to stimulate excitement, but Parker takes it easy, too easy.

Too niche to reach

Brimming with superb performances.

Winslet performance holds a powerful sway, embracing Lee’s abrasive and conflicted personality and viewing the horrors with an analytical eye and a sense of bravado as well as despair.

Kaufman's recreation of early 19th century Paris is more theatrical than real.

Thought-provoking rather than yielding insight.

Winslet delivers her lines with scalpel-like precision. DiCaprio plays off her with the fire of a young Brando.

A hilarious, shocking, and in the end, moving film.

Fassbender does his best to not make the man easily likable at first.

The film is confused about what it is trying to be - is it a high octane thriller, a gritty police drama or a tragedy? It certainly isn't all three.

What raises Cameron's creation above costumed action spectacle is the quality of the writing and the chemistry of its juve leads.

When Allen foregoes his crutches, any kind of movie seems possible.