Search: Starring Katherine Waterston

Its use of blood and slime and razor teeth is more inventive than a 12-year-old needs watch.

The pace is relentless and raucous - so much so that many viewers will feel alienated.

If you take it for what it is rather than what it was marketed as, The End We Start From is an interesting watch.

How the characters deal with grief is beautifully captured in the nuanced performances of McAvoy and Chastain.

There is meat and crunch and intelligent plotline.

Grand chases and massive effects.

Despite dealing with some very heavy issues Palka has a surprisingly light touch, levening the more bleak moments with some rich, dark comedy.

This is astonishing stuff.

Reichardt observes the game coolly, yet provides more than enough detail to show the contradictions in her players' gambits.

A psychologically astute and darkly funny look at the deep bonds of female friendship and the damage that can be wrought by those closest to you.

Jake Schreier and scriptwriter Christopher Ford go well beyond the initial fun of the robot conceit to craft a thoughtful film musing on both the ageing process and our relationship with technology.

Fassbender does his best to not make the man easily likable at first.

Overall, the story is a familiar one, with a predictably, one could even say, cliched tragic sweep - a well-trodden pioneer trail that while watchable for the fine performances, still feels overly stuck in a rut.