Eye For Film >> Search >> 'Keith Ewell'
When Brian Brown-Easley’s disability check fails to materialise from Veterans Affairs, he finds himself on the brink of homelessness and breaking his daughter’s heart. With no other options, he walks into a Wells Fargo Bank and says, "I've got a bomb".
A girl who is struggling to fit in finds a new best friend, but after the pup grows up he attracts the attention of a genetics company, forcing the pair to go on the run.
Training raw recruits at Fort Polk, Louisiana, 1971, to be killing machines for Vietnam.
Making a splash Hayley Easton Street on art direction, VFX, and directing The Climb and Something In The Water
In the beginning Kelsey Taylor and Adam Lee on shame, Red Riding Hood and To Kill A Wolf
Family feud Paul Reiser and Colm Meaney on The Problem With People
Behind the camera Ellen Kuras on telling women's stories and working with Kate Winslet on Lee
Michel Blanc - a journey from cult comedy to drama French cinema mourns a 'star' who was modest to a fault
Why Irish eyes are smiling in Dinard Festival gives pride of place to the Emerald Isle in change of emphasis
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