Search: Starring Keith Stanfield

Simply put, I don't know what it's trying to do, and I don't know if it does either.

Ramsay's style takes no prisoners.

There is something wrong, something odd about this place

Everything is elevated to an almost cartoonish level, but the performances are big enough to carry it, with Elba maintaining a calm presence at the centre.

While the chase scenes are effective, the jokes feel like the ghost of much better one-liners.

I suspected there'd be ideas introduced that lesser films would attempt to spin out while this grabbed another and another and another, and so it came to pass.

Plemons’s performance captures the unease and guilt Mitchell feels, while reminding us that the agent is also putting on a performance during his meetings with O’Neal.

As a whodunit, the film is fun and forgettable.

Hemingway and Stanfield are both good in the central roles, with Howze charismatic as the antagonist on the fringes of the island community, but the film never really takes off the way it should.

Cheadle attempts to give us the feel of the man rather than the real essence.

Somewhere an interesting idea gets choked with blood and ends up like any other killer spree fearjerker

The film’s simplicity is its strength.

Oliver Stone takes the story and gives it slick mainstream polish, bringing the issue home in a way that is understandable and urgent, even if his hero ends up seeming almost too good to be true.

I've seen it described as a film with a twist but that suggests it's got just one. It's full of them, it's made of them, it reels and gyres and tumbles into something special.

They sang it as they saw it and in Compton that was not pretty

Adam Sandler has always been a contender. Sexy and fun for some. Sandpaper for others.