Search: Starring Kevin Kline

Enjoyable and witty, all the more impressive when you discover that it took only 19 days to shoot.

Much Ado About Nothing was like being given a surprise invite to a lavish summer party in Tuscany; this feels more akin to being trapped in a 'back to nature' weekend theatre workshop where the actors are having a lot more fun than you.

Well executed and simply done is the essence of a good burger, and the movie manages it.

You see the money on the screen, which is good, but not the love

The parallels with The Global War On Terror are obvious, but feel over-egged.

Not as sophisticated a film as it likes to think, but it does the basics very well indeed.

It is impossible to be down on the film when the many songs radiate such wit and style and keep the whole show rolling.

So overloaded with oddball characters that it never finds an even keel.

For Shakespeare first timers, Kline's production is a good call - what you see is what you get.

James Schamus's script is sharp and witty. Lee is very good at getting affecting performances out of actors, especially the younger ones.

Queer jokes aimed at Mr and Mrs Normal end up in a puddle with yesterday's tulips. Avoiding the pain loses a lot in translation.

This is one of those films where you wait for someone to fall off a horse.

Although some elements don't work too well, namely the lacklustre, almost prosaic direction of Levy, it survives with a lot of positives, not least the return to maniacal form of its star, The Grey Haired One.

A delightful, genial, lovable movie - the product of an idiosyncratic artist and master storyteller.

There’s lot of music along the way, thrown in to the mix in a none too subtle manner, although Streep manages to carry off most of it with verve and true grit.

A mature approach to the subject which is long overdue.

I found myself transported back to a time when I truly believed there was every possibility that I would grow up to be a princess.

Essentially a retro sci-fi spoof, everything is too much.