Search: Starring Kiefer Sutherland

Gushes tension and excitement from every pore.

What [director Proyas] does here is juggle genres and lop the dead cells from the brains of old cliches.

A stylish and engrossing mystery - an immature, yet energetic explosion of storytelling ideas.

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

The charm levels are high

Most of those who fell for this film when it came out still love it today. There's just one problem: it really isn't very good.

Mirrors doesn't feel like an unfixed horror for an uncertain world, it comes across more as a broth for the appetites of focus groups.

Lars von Trier's sublime invitation to the end of the world is a grand film by a master story teller who does not repeat himself.

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

Schumacher uses split screens and visual wizardry to retain a breakneck pace.

The film is about death, whether in the arena, or out

A hauntingly beautiful piece of cinema.

Through heartfelt and very conventional storytelling Nair simplifies, pleads, and misses the chances to shift the very current problematics into a new light.

The film is like a Chinese meal. You enjoy it at the time, but feel empty half an hour later.

A thoroughly feel-good movie.

The concept is good, but there are so many holes below the plotline, it sinks.

A dreary, cynical exercise in the marketing of cuddly toys.

The colours, like that coat, only serve to show Kyra in even paler relief, her invisibility coming to offer a welcoming cloak as she hatches a plan to avoid destitution.