Search: Starring Kim Hunter

McCall draws on Cardiff's life-long love of painting to adopt a similarly impressionistic style, brushing broad sweeps of anecdote and recollection about the cameraman on to his canvas to create a complex and emotionally engaging picture.

The clear highpoint of Lilith is Seberg’s performance which carries the picture along.

Undoubtedly one of the best films ever made.

There is no character developement, no tension.

Racial discrimination, the fragile relationship between faith and science, post-Cold War anti-nuclear damnation… the script misses no opportunity to use an ape society for clever analogy.

What's truly impressive is just how long Tennessee Williams' torrid tale manages to teeter on the brink of violence before letting go.

While, perhaps, too obviously tied to its small screen origins, The Young Stranger is, basically, a competent piece of craftsmanship.